The equipment is not the product - the broadcast that comes out of it is. We own it for one reason: we know what condition it is in, we test it before it leaves, and we do not wait on a third party to swap it if it fails.
Every photograph on this page is from our own production
Six categories, each with the reason it exists.
Fixed broadcast positions and PTZ cameras for places where no operator can stand - in a hall, on a riser, in a permanent install.
A mixer with multiview, so every source is on monitor before it goes to air, and live titling on independent channels.
A digital console, and a feed from the room's installed system where there is one - the stream hears what the room hears.
A mobile unit with a satellite link, for broadcasts from places with no network: a street, a square, an open field.
LED wall for outdoor and indoor venues, where projection cannot survive the light.
Every position on one line. On a moving subject, coordination is the piece of equipment that matters more than the camera.
Send us the venue and the date and we answer with a specific production proposal and the equipment it calls for.
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